Biggie Handmade Blog » friends http://thebiggie.com/blog Just another WordPress weblog Thu, 15 Jul 2010 15:46:31 +0000 http://wordpress.org/?v=2.8.4 en hourly 1 Carrie Schneider @ the MCA! http://thebiggie.com/blog/2009/12/15/carrie-schneider-the-mca/ http://thebiggie.com/blog/2009/12/15/carrie-schneider-the-mca/#comments Wed, 16 Dec 2009 03:52:23 +0000 biggie http://thebiggie.com/blog/?p=126 While I am trying to keep this blog strictly Biggie-related, I just have to post something about my friend, Carrie Schneider.  You see, she is an amazing artist (my other post about her is here), and has her latest work for viewing at the MCA in Chicago.  She is the featured artist for this month’s 12 x 12 exhibition!

Read a bit here.  Then go!!

]]> http://thebiggie.com/blog/2009/12/15/carrie-schneider-the-mca/feed/ 1 Carrie Schneider @ moniquemeloche gallery http://thebiggie.com/blog/2008/10/14/carrie-schneider-moniquemeloche-gallery/ http://thebiggie.com/blog/2008/10/14/carrie-schneider-moniquemeloche-gallery/#comments Tue, 14 Oct 2008 14:59:41 +0000 biggie http://thebiggie.com/blog/?p=34 My friend Carrie is an amazing artist and has a solo show opening this Friday.  I’m so excited!  Hope to see you at the reception…

queenjuniper_web by you.

Queen of This Island (Utö) 2008 c-print 42 x 33 inches

Carrie Schneider
How Not To Fall
October 17 – December 6, 2008

*Opening reception for the artist Friday, Oct 17th, 6-9pm! Please stop by!

moniquemeloche
118 N. Peoria
Chicago IL 60607
312.455.0299
www.moniquemeloche.com

we_balticversion by you.

WE (Blatic Version) 2007 c-print 58 x 76 inches

After a year-long Fulbright Fellowship to the prestigious Finnish 
Academy of Fine Arts in Helsinki, Carrie Schneider returns to Chicago 
with a body of new work for her first solo exhibition with 
moniquemeloche gallery. Schneider sets up impossible scenarios that 
pit a character (usually herself) against some force of nature.   
Through a complex web of personal mythologies, Schneider throws 
herself into fantasies of escape and concealment, creating uneasy 
resonances with simple juxtapositions.  The result is a series of 
large-scale photographs and two 16mm films that continue to heighten 
the familiar to a level of precarious strangeness.

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